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Press

This listing is incomplete, particularly for the more recent years, when BIPED has continued to tour in the Cunningham repertory.

  • "Arts abroad: a Festival Gives Modern Dance a Toehold in Ireland," by Brian Lavery, New York Times, June 12, 2002.
  • "ARTS: A master of the space," by Alastair Macauley, Financial Times, June 1, 2002.
  • "A Proposal for Waking Up the Classics," by Jennifer Dunning, New York Times, October 7, 2001.
  • "A Live and Digital Tapestry of Interwoven Movements," by Anna Kisselgoff, New York Times, April 6, 2001.
  • "Merce Cunningham and the Language of the Body," by Carolyn Brown, New York Times, March 25, 2001.
  • "BIPED, Summerspace, Rainforest," by Zoe Anderson, The Dancing Times, November 2000.
  • "Dance," by Barbara Newman, Country Life, October 26, 2000.
  • "Dancing rings around youth," by Sarah Frater, The Catholic Herald (London), October 13, 2000.
  • "Irresistible Cunningham," by Giannandrea Poesio, The Spectator (London), October 21, 2000.
  • "Just a click of the light," by Jann Parry, The Observer (London), October 15, 2000.
  • "A four-score draw," by David Dougill, The Sunday Times (London), October 15, 2000.
  • "A virtual reality that’s larger than life," by Jenny Gilbert, The Independent on Sunday (London), October 15, 2000.
  • "Log on to a digital wonderland" by Louise Levene, The Sunday Telegraph (London), October 15, 2000.
  • "Fresh fields of dreams," by Ismene Brown, The Daily Telegraph (London), October 13, 2000.
  • "Pioneer delivers more pleasures," by Clement Crips, Financial Times (London), Oct 12, 2000.
  • "Dance," by Nadine Meisner, The Independent (London), October 12, 2000.
  • "Old Dog with New Tricks," by Debra Craine, The Times (London), October 12, 2000.
  • "Merce Cunningham," by Judish Mackrell, The Guardian (London), October 12, 2000.
  • "Dance of the Digital Genius," by Anne Sacks, Evening Standard (London), October 11, 2000.
  • "Old dog with new tricks," by Debra Craine, The Times (London), October 10, 2000.
  • "The year in review: A Black Flowering and a Burst of Big Shows," by Anna Kisselgoff, The New York Times, December 6, 1999.
  • "Merce Cunningham, le mouvement toujours réinventé," interview with Merce Cunningham by Ariane Bavelier, Le Figaro, November 7, 1999.
  • "Pieger L’Inedit: De Life Forms a Character Studio: un entretien avec Merce Cunningham a propos d’ordinateur," interview with Merce Cunningham by Annie Suquet, Danse et Nouvelles Technologies, Nouvelles de Danse, 40/41, Fall-Winter 1999.
  • "Jenseit der Körper muss die Freiheit wohl grenzenlos sein," Der Tagesspiegel Kultur, August 27, 1999.
  • "Digitaler Tanz", Berliner Zeitung, August 27, 1999.
  • "Feines Zählwerk auf Beinen," Die Welt, August 27, 1999.
  • "Auf dem Olymp angekommen," Berliner Morgenpost, August 27, 1999.
  • "’Biped’: A Dance with Virtual and Company Dancers, Part I" by Jeffrey Abouaf, IEEE Multimedia, July – September 1999.
  • "Dancing: The Gambler," review by Joan Acocella, The New Yorker, August 9, 1999. (excerpt)
  • "Golden Pond," by Tobi Tobias, New York, August 9, 1999.
  • "< Double Vision," review by Anita Hamilton, Time magazine, August 2, 1999.
  • "Jump, Skip, and Away," review by Marcia B. Siegel, The Boston Phoenix, July 29, 1999.
  • "Complexity’s Master," review by Deborah Jowitt, Village Voice, July 28, 1999.
  • "New York/Danse," by Sally Sommer, Le Monde, July 24, 1999.
  • "A Youth of 80 Kicks Up His Heels," review by Anna Kisselgoff, New York Times, July 23, 1999.
  • "The quality of Merce: A tribute in dance," review by Terry Teachout, Daily News, July 23, 1999.
  • "A very special ‘Occasion’", review by Clive Barnes, New York Post, July 23, 1999.
  • "Octagenarian," preview by John Kasdan, Village Voice, July 27, 1999.
  • "Dance a Little Dream of Merce," review by Rita Felciano, Dance magazine, July, 1999.
  • "California Dancin’: Cunningham, Bourne, Morris," by David Littlejohn in The Wall Street Journal, May 11, 1999.
  • Controversial Master of Reinvention," review by Alastair Macaulay, Financial Times (registration required), May 5, 1999.
  • "A Marriage of Motion," review by Kelly Zito, Marin Independent Journal, Monday, May 3, 1999.
  • "Cunningham troupe performs nimble dance with technology" by Mike Cassidy, San Jose Mercury News: Silicon Valley Life, May 2, 1999 (Note: to read the article online, you must search the Mercury database and pay to retrieve it).
  • "The Quality of Merce is not Strained," review by Ann Murphy in Express: East Bay Free Weekly, April 30, 1999.
  • "Dancing with Ghosts," review by Apollinaire Scherr, Salon, April 28, 1999.
  • "In Step with Digital Dance," review by Siobhan Scarry, Wired News, April 26, 1999.
  • "Technological Leaps," review by Anita Amirrezvani, Contra Costa Times, April 26, 1999 (note: purchase required to read full text online).
  • "Cunningham in a New Dimension," review by Octavio Roca, San Francisco Chronicle, April 26, 1999.
  • "Giant Steps," preview by Andrew Gilbert, San Jose Mercury News Eye Magazine, April 23-29, 1999.
  • "Technology mixes with live dancers," by Francine Brevetti, The Oakland Tribune, April 23, 1999.
  • "Merce-y Lord!," preview by V. Morrissey, SF Gate Guide, April 21, 1999.
  • "Devising a Dance," preview by Siobhan Scarry, Wired News, April 20, 1999.