A printable illustrated summary of our works is available here.

Here we present what we consider to be our main accomplishments so far.

If you consider the fourteen artworks as a group, perhaps you can tease out the constant threads that might emerge. There are, after all, many ways to sort and sub-group them. For instance, some are completely abstract, while others are representational; and of the latter, a couple are photorealistic, while the majority have a hand-drawn style.

Quite a few of the works entail human motion — and of these some embrace dance movement while others look to the everyday movement of pedestrians and children.

Then there is the matter of context: some of the artworks accompany performances on stage; others are installations for museums; while still others situate themselves in public spaces.

Finally, you might also distinguish between those works that are in fixed sequence versus those endowed by artificial intelligence with autonomy and choice.

Special case

One of the artworks, Loops, is a special case in that it is both an artwork and a model preservation project. It seeks to sustain both the digital artwork and the Merce Cunningham solo dance that is its subject by opening both up to others (using open source and Creative Commons licenses).