Work continues in New York on All Day which will be presented at the Barclays Center in Brooklyn, in the same fashion as After Ghostcatching there – both on the enormous outdoor LED Oculus and in the five-screen indoor installation. All Day evokes the borough of Brooklyn by means of enormous captures of the city space and the everyday athleticism within it.
Having just completed a month-long stay in Michigan to work on our Detroit project, we will be back there again for a few days around May 1.
In May we travel to ZKM in Karlsruhe for more work on Linked Verse. Though we have showed several pieces there over the years, most recently After Ghostcatching in 2011, we have not been there ourselves since the 90s.This is followed in September by a second residency at EMPAC. The work is a collaboration with composer Jaroslaw Kapuscinski for a stage performance to help inaugurate the first season of the new Bing Performing Arts Center at Stanford University. We will premiere the piece there on November 16 and 17, 2013.
Other weeks of the spring will be spent at Marc’s studio in Chicago where we will use a newly devised interactive drawing surface to essentially draw the NEH-funded prototype of an unusual documentary entitled Proximity Fuse that examines the origins of present-day technology in WWII and Cold War technologies, viewed from the unusual perspective afforded by Iowa.
Selected dance-related works will be exhibited at the University of Surrey in the UK in early September.
Excerpts of Upending at Hong Kong University in late January 2013.
A program entitled In Place was presented in the Rome Film Festival. This program comprised three 3D films, plant, Waves, and All Sides of the Road , the latter two being premieres. (November 2012)
Drawn Together at Georgia Tech, School of Architecture, Stubbins Gallery .
plant at Detroit Institute for the Arts (January 10 – April 29, 2012).
After Ghostcatching at Nelson Atkins Museum: (September 10 – December 31, 2011) and Boston ICA (October 7 – January 15, 2012)